Monday, June 17, 2024

Not Alone... But Alone

No more fears, always be brave
You're no longer alone
Together and forever, we'll pursue the stars
As they shine
-- "Hitoribocchi Ja Nai", coba & Kazufumi Miyazawa (interpreted)

The coverage of Japanese ending themes for the Pokémon movies or feature films continue, this time on a slightly solemn note. That's because this one is for the fifth one, for which the solemn quality is very true indeed - but it should still be watched if possible. And in its progression, something (or things) are left alone - that is, go into a state of aloneness - which can be a little distraught for some. The ending song can then perhaps be construed as a way of speaking to that situation and providing reassurance.

In translation, the title of this song means roughly the second of the four lines quoted above. Structurally, this grouping of lines is a little hard to define, but it could be thought of as the "answer verse" to an initial verse (or a set of them as the first); it's also the first of two, as the second one contains a small difference. Overall, the lyrics of the song itself speak much about companionship, both spiritual and physical, as well as the struggle for "the one" alluded in the song as well as their companion. Love isn't mentioned directly, but it could be taken to be implied. All this is done with an upbeat and fast rhythm, which is kind of odd.

What makes this song even more of an oddity is that it seems to sound a little inspired by French melodies rather than Italian ones (as the setting of the movie and its inspirational underpinnings would imply that it should be). But then, both countries are Mediterranean Sea countries - if not just straddling, as the former of these countries would suggest - so the musical aspect seems to be respectable to a certain degree. While it's also not sounding too bright, the fast rhythm also makes it sound brighter than it seems to be, a further oddity among oddities. The song seems to want to make up for the darker premises of the movie, which seems to be fine if not a slightly odd claim to be made.

Now, coincidentally, I'm writing this post on a "half dark" and "half bright" day - that much I can say. The lore behind this day states that some things had to "depart", perhaps much like what does (or did) happen in the movie being referenced in here; some years ago on the same day of all days, I had to experience a similar "departure" myself, in a way leaving me to become alone. All that, therefore, seems to be fitting to demand for this song, just like the movie itself seems to want to demand this song after what happens (or happened) in it. It seems crazy how some things seem to work out, including revolving around this movie.

After the happenings of the movie, some people and fans might become particularly divided on how to regard them, perhaps becoming "alone" in mind. Yet then this song comes along, and it seems to be a bright spot, or perhaps the only bright spot, other than the movie itself. With it, it seems that they become as the title of the song suggests, being no longer alone... even if they actually are, whether or not that would be similar to the movie happenings. At that point, it may just be a matter of taking things in stride.

One year ago: The Mystique of 151

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